Nigel is the author of nearly 50 short stories published in Australian literary journals, including the Review of Australian Fiction, Meanjin, Island, Overland, as well as Still Point Arts Quarterly (US). ‘The Garden’ was longlisted in the 2025 Lane Cove Literary Awards. Nigel’s collected stories are Joy and Homelife (Ginninderra Press, 2000 and 1999 respectively).
Nigel’s poetry has appeared in various journals, including Rabbit, Four W, Famous Reporter, Tirra Lirra, UQ Vanguard, and Hermes. He has poems forthcoming in Meanjin, Oystercatcher, AC | DC (US), and Horseshoe Literary Magazine (Canada). ‘In this moment I am neither’ was shortlisted for the 2025 ACU Poetry Prize.
In this moment I am neither
silence, emptiness even, so
I sit, lift your keylid, everything black
& white, but surely it’s not that simple
how substantial I find you despite
all the years we’ve known each other; I steady
my hands, fan my fingers, arch
then settle in; a high note, mid-range & low
messages from one realm to another, as though I am
a member of a cosmic chorus
when young I loved to remove
your lower front, upper front, top board hinge &
eye your innards: hammers, strings
like a harp’s, a brass frame fit for a car
narrow sheet of felt I controlled with pedals – a curtain
muffling, dulling, but also brightening
kneeling I plucked, made you hum
buzz against my fingernails, thunder too
hail, sometimes the dinking of rain
the main game was when back
on the stool, skinny hip bones hard
to thin cushion, bass octave beneath chord
oh, I know very little, a fore-
shortened alphabet, but still what words & phrases
sometimes sentences – a language
from gut more than head, a heart
bursting through ribcage to play its part
so the whole doesn’t become a mere exercise
now, right now, I am I
& you are you, what we’re creating together – song or suite
maybe a movement – hasn’t happened before
at least not quite in this way, the postie
comes & goes without noticing, though he might just
pause to listen, head cocked
over the road someone’s mowing
obliviously but it doesn’t matter; what matters
is how an E can edge
an F, how one vibration can hold
the hand of another, briefly, before – listen! – a third
– a C – is introducing itself, a lover-
to-be, or a trickster coming to meet them
my eyes close, fingers slow –
this could end sooner than expected
& it does; now a simple pair
reaching for each other, like lorikeets
in parallel flight
I’m in the middle, above the hole
where the key (if I knew where it hides)
slides in to lock, unlock
in this moment I am neither here
nor there; my muscles & bones have dissolved
I am skinned, unskinned
blood emptying onto the carpet
underlay & floor, flooding richly
the under-cavity of the house
in this accumulation of sound
waves in space, I have lost
my existence but found my self
in this ever-fading, I brush up
against nothing; relish this singular affinity –
when it ends I must open my eyes